 | Guidelines for Completing Part-Writing Assignments Soprano, Alto, Tenor, and Bass—helps to address the common problems that arise when writing for different voices. While learning and analyzing part writing it is useful to review some of the best examples of harmonization 15.13 Kb.  1 | read |
 | Change "chords" to "sonorities" Regarding the 6 question, just put 6/b6 and explain at the first instance that this code is meant to account for 6 in minor keys, where the note is diatonically part of A6ths, and also b6 in major keys 0.85 Mb. 9 | read |
| Lesson nnn: Augmented Sixth Sonorities Introduction The following excerpt from a Beethoven string quartet includes an intriguing chromatic sonority in 1.06 Mb. 8 | read |
| Lesson nnn: Augmented Sixth Sonorities Introduction The following excerpt from a Beethoven string quartet includes an intriguing chromatic sonority in 1 Mb. 8 | read |
| Lesson jjj – Applied Chords Introduction Some of them, like those discussed in Lesson III, arise from voice-leading procedures and expand a reference sonority. We will now look at another set of sonorities, known as applied chords 0.9 Mb. 12 | read |
| Wayne Shorter: Aspects of Harmony and Composition 1964-1967 and after Miles Davis. Following this time period he also became involved with a jazz-fusion ensemble led by Joe Zawinul by the name of Weather Report. In this paper I will discuss aspects of Shorter’s harmonic and compositional style as evidenced by analysis of 10 of 16.67 Kb. 1 | read |
| [school] [teacher] [room and class days] ap music Theory Syllabus This course is designed to provide students with a learning experience equivalent to that of a first year college course in music theory 58.26 Kb. 1 | read |
| Ap music Theory Syllabus 2009-2010 Instructor: Mr. Stith Contacts: 314-580-9193 (phone) This course is designed to provide students with a learning experience equivalent to that of a first year college course in music theory 62.11 Kb. 1 | read |
| Lesson ppp: Fully-Diminished Seventh Chords Introduction There, we discussed why the tritone between the root and fifth of the chord requires special attention. The chord usually appears in first inversion precisely to avoid that dissonant interval sounding against the bass when viio is in root 0.94 Mb. 11 | read |
| Basic Elements of Music Theory Sound and Music All that is required is a time frame, sound waves, and a cognizant mind to perceive and interpret those sounds 52.34 Kb. 1 | read |
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